Sometimes, on this first anniversary of the earthquake, it feels like very large, steady hands are needed to pull together the two sides of the gaping wound that is Haiti, hands that Michelangelo might fashion for this purpose.

Sometimes, on this first anniversary of the earthquake, it feels like very large, steady hands are needed to pull together the two sides of the gaping wound that is Haiti, hands that Michelangelo might fashion for this purpose.

It worries me, as much for ourselves--the privileged, literate, and apparently protected-- as for those who live exposed to heat and rain and hurt.
In one of our workshops on January 11, 2011, the day before the anniversary, two men - a priest who tends a devastated parish and an accountant who has left his paying job to bring whatever order he can to two tent camps-- share their drawings. (Read more about CMBM's drawing exercise in this earlier Haiti entry.)
The accountant, a large serious man, sees himself planted in the midst of a quilted crop of families, cooking fires and plastic sheeting; the priest's drawing of his slim black-clad figure is bright with God's light refracted through a mirror framed in rainbow colors. The drawings of their "biggest problems" are, with no other guidance, no consultation, virtually identical. One side of the pages shows effort - to salvage and succor, hands reaching out, shovels in the earth - and a row of disconnected figures: "the

We need to offer them help, ourselves, in order to be human; and we need this at least as much as they need our help. That is the key to a happier future anniversary.
How to handle difficult people.