“We wanted to do as good as Sonic Youth” – Krist Novoselic, bassist for Nirvana, in 1992 (emphasis mine)
The avant garde noise rock band and Do-It-Yourself pioneer Sonic Youth is better known for getting talked about by famous musicians than for the number of albums it sold. It was a major influence on the guitar feedback-laden sound of grunge-era bands, such as Pavement, Radiohead, and Nirvana. More importantly, perhaps, it was also major professional advocate for these bands.
Sonic Youth was a giving band that sat at the nexus of a large and diverse network of independent musicians. According to Wharton professor Adam Grant, givers such as Sonic Youth benefit in many ways from their generosity. In his new book, Give and Take, Grant distinguishes between givers, takers, and matchers. Givers are generous and provide help without keeping tabs about who owes them what. Takers try to get as much for themselves and as little as possible for others. Matchers work on a tit-for-tat basis.
Sonic Youth gave struggling bands advice on how to book their own shows, grow their fan base, and keep their costs lost so that can make a living outside of the mainstream. They counseled them on the transition from independent to major label. They championed their favorite bands to their own major record label, DGC, a subsidiary of Geffen Records. They drew attention to unknown actresses, such as Chloe Savigny, and directors, such Spike Jonze, by inviting them to participate in their videos.
For example, Sonic Youth took the then-unknown Nirvana as an opening act for seven shows in August 1990. For Nirvana, those shows were the biggest they had ever played, giving them the exposure they needed to create a buzz. Sonic Youth’s singer Thurston Moore called his band’s management company and personally asked them to consider representing Nirvana, which they did. He recommended Nirvana to his representative at Geffen Records, who ultimately signed Nirvana to the label.
Once Nirvana became successful, it mimicked Sonic Youth’s mode of behavior. It sponsored unknown bands such as The Raincoats, The Vaselines, and The Melvins, bringing them on tour as opening acts and speaking to industry professionals on their behalf.
But their giving benefitted them in other ways. They generated goodwill and credibility that granted them almost complete creative freedom during their eighteen years with Geffen Records. Even though they hadn’t generated a lot of income for the label, “No one wanted to be known as the person who dropped Sonic Youth,” a former colleague told band biographer David Browne.
The continuous interaction with young bands also helped Sonic Youth maintain its own creativity. It consistently delivered high quality albums, even late into its career. In fact, its sixteenth album, The Eternal, was a favorite among critics and was their highest charting album, peaking at number 18 on the Billboard chart. Not many bands see that kind of growth 28 years into their career.
Sonic Youth’s giving approach helped grow the underground alternative movement from the margins to the mainstream and helped perpetuate a musician-led culture of mutual support. Along the way, it granted the band the freedom and support to keep making music it believed in.