Beautiful Minds

Musings on the many paths to greatness.

After the Show: The Many Faces of the Performer

The complexities and contradictions of creative people

"Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)" - Walt Whitman

In the CNN.com article "The confusing legacy of Michael Jackson", Todd Leopold discusses the perplexing combination of seemingly contradictory traits displayed by Michael Jackson. In explaining his many sides, Jackson biographer J. Randy Taraborelli essentially throws his hands up in the air in exasperation as he tries to make sense of the apparent contradictions:

"I think that when you're talking about Michael Jackson and you try to analyze him, it's like analyzing electricity, you know? It exists, but you don't have a clue as to how it works".

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Creativity researchers aren't so confused. They have long-ago accepted the fact that creative people are complex. Almost by definition, creativity is complex. Creative thinking is influenced by many traits, behaviors, and sociocultural factors that come together in one person (see "Could Michael Jackson Have Created Twitter?"). It would be surprising if all of these factors didn't sometimes, or even most of the time, appear to contradict one another.

As creativity researcher Mihaly Csikszentmihalyi notes in his 1996 article for Psychology Today titled "The Creative Personality", creative people

"show tendencies of thought and action that in most people are segregated. They contain contradictory extremes; instead of being an "individual", each of them is a "multitude."

To me, some of the most fascinating contrasts are those found in creative performers- those who are constantly on stage and in the public eye. Out of Csikszentmihaly's list of 10 complex personality traits of creative people, which were based on interviews with a wide variety of creative people, I think these three are the most relevant to creative performers:

1. "Creative people have a great deal of physical energy, but they're also often quiet and at rest. They work long hours, with great concentration, while projecting an aura of freshness and enthusiasm...This does not mean that creative people are hyperactive, always "on." In fact, they rest often and sleep a lot. The important thing is that they control their energy; it's not ruled by the calendar, the dock, an external schedule. When necessary, they can focus it like a laser beam; when not, creative types immediately recharge their batteries. They consider the rhythym of activity followed by ideleness or reflection very important for the success of their work."

2. "Creative people tend to be both extroverted and introverted. We're usually one or the other, either preferring to be in the thick of crowds or sitting on the sidelines and observing the passing show. In fact, in psychological research, extroversion and introversion are considered the most stable personality traits that differentiate people from each other and that can be reliability measured. Creative individuals, on the other hand, seem to exhibit both traits simultaneously."

3. "Creative people's openness and sensitivity often exposes them to suffering and pain, yet also to a great deal of enjoyment. Most would agree with Rabinow's words: 'Inventors have a low threshold of pain. Things bother them.' A badly designed machine causes pain to an inventive engineer, just as the creative writer is hurt when reading bad prose. Being alone at the forefront of a discipline also leaves you exposed and vulnerable."

These three seeming contradictions- energy/rest, extroversion/introversion, and openness/sensitivity- are not separate phenomena but are intimately related to one another and along with other traits form the core of the creative performer's personality.

This contrast between onstage boldness and personal shyness was certainly seen in Michael Jackson. Famed record producer Quincy Jones recounts that

"Michael was so shy, he'd sit down and sing behind the couch with his back to me while I sat with my hands over my eyes—and the lights off."

A little while ago Susan Biali wrote a fascinating blog post for Psychology Today titled "Was Michael Jackson a Highly Sensitive Person(HSP)"? Are You?", which really resonated with me. In her post, she notes the seeming discrepancy found in Jackson between his

"shy reclusive personality (documented since he was a young child), and his outrageously impressive and even flamboyant ability to perform on and dominate the world stage."

Biali links this disrepancy to Jackson being a highly sensitive person (HSP) (see here for more info and here to assess whether you are a HSP). According to HSP researcher Elaine Aron, HSP's make up 15-20% of the general population and tend to be more aware than others of subtleties, get more easily overwhelmed when things get too intense or there is too much sensory input, are easily affected by other's moods, and are deeply creative and moved by arts and music. In a very recent post called, "Why it's hard to be a highly sensitive (HSP) introvert", I felt Biali very accurately described the frequent frustration of being a HSP:

"I'm extremely sensitive to other people's moods; when someone is angry, judgmental or irritated, those emotions come through my skin and into my cells, making me even more uncomfortable. Worst of all, if I don't have my own space to retreat to and recharge, I'll eventually have a meltdown."

Some of the most creative people have very high levels of sensitivity. Like Bilali, they embrace who they are and find ways to accommodate their sensitivity. Take Yoshira Nakamatsu, perhaps one of the most creative (if not also a bit nutty) inventors of all time. He invented many 'calm rooms' around his house to minimize as much as possible any potential sensory input that might interfere with his creative process. My favorite calm room is his bathroom, where his toilet shuts out every noise and every magnetic and electronic field! According to Dr. Nakamatsu, "Such a calm room erases all noise from your brain, you can concentrate and think." It should be noted that Dr. Nakamatsu also has a "dynamic room" in his old house, where music, patterns and textures stimulate the brain. According to Nakamatsu, this room is conducive to inventing, allowing the creator to mix ideas in his or her head. The genius of Dr. Nakamatsu may come in large part, from his ability to flexibly switch between extreme quiet and extreme stimulation (read here for more on the good Dr.'s genius).



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Scott Barry Kaufman, Ph.D., is a cognitive psychologist at NYU, Co-founder of The Creativity Post, and Chief Science Officer of The Future Project.

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