Every spring, the sky opens into bouquets of purple and white scent. Like me, the pines move back with a gasp of awe at the sudden beauty that the lilacs unfurl.
Occasionally, in honor of a visiting guest, I have reached up, and murmuring an apology, clip off a few bunches of ivory blossoms. I place them in crystal vases. They hang in the arc of a dancer’s hand.
I learned that I must time the cutting carefully if the guest is to see this bit of heaven. The stolen lilac does not hold her form for long. In a few short hours, firm sensuality disappears into dry and brittle bone. The crystal vase transforms from stage to mocking internment.
Having witnessed this death several times, I no longer harvest the lilac. These snips and cuts are much more than a manicure. The lilac architecture is a tiered cascade of fractal kingdoms. This diversification of form and function is illusory. She is unicellular. She is single souled. The layers of branches, leaves, blossoms, and roots are merely alternate expressions of one heart beating in a single song.