When I saw the animated film, The Incredibles (released by Pixar in 2004), about a dysfunctional (super) family that pulls together under extreme, life-threatening challenges, it occurred to me that cartoons were the films that were now most likely to deal with human issues that were important to me.
The Incredibles were supposed to be a real family - mother, father, boy, and girl - named the Parrs. But - they were animated! Could I really identify with cartoon characters? I felt like Bob Hoskins in the 1988 Robert Zemekis film, Who Framed Roger Rabbit, whose main relationships were with cartoons (whom he derisively calls 'toons').
Of course, the existence of Pixar has brought my confusion to a head. Pixar regularly turns out animations about, well, things with real human feelings and concerns. Thus, WALL-E, a 2008 Pixar animation about a relationship between two robots, dealt in a sophisticated and interesting way with both the future of humans and (I blush to write) a heart-warming love affair.











