To men they may seem normal, but women experience them as narcissistic or even sociopathic. They think they are normal, that they are doing what every other real man would do if he weren't such a wimp. The notions of marital fidelity, of gender equality, of honesty and intimacy between husbands and wives seem quite foreign from what they learned growing up. The gender equality of monogamy may not feel compatible to men steeped in patriarchal beliefs in men being gods and women being ribs. Monogamous sexuality is difficult for men who worship Madonnas for their sexlessness and berate Eves for their seductiveness.
Philanderers' sexuality is fueled by anger and fear, and while they may be considered "sex addicts" they are really "gender compulsives" desperately doing whatever they think will make them look and feel most masculine. They put notches on their belts in hopes it will make their penises grow bigger. If they can get a woman to die for them, like opera composer Giacomo Puccini did in real life and in most of his operas, they feel like a real man.
Female Philanderers
There are female philanderers too, and they too are usually the daughters or ex-wives of philanderers. They are angry at men, because they believe all men screw around as their father or ex-husband did. A female philanderer is not likely to stay married for very long, since that would require her to make peace with a man, and as a woman to carry more than her share of the burden of marriage. Marriage grounds people in reality rather than transporting them into fantasy, so marriage is too loving, too demanding, too realistic, and not romantic enough for them.
I hear stories of female philanderers, such as Maria Riva's description of her mother, Marlene Dietrich. They appear to have insatiable sexual appetites but, on closer examination, they don't like sex much. They do like power over men, and underneath the philandering anger, they are plaintively seeking love.
Straying wives are rarely philanderers, but single women who mess around with married men are quite likely to be. Female philanderers prefer to raid other people's marriages, breaking up relationships, doing as much damage as possible, and then dancing off reaffirmed. Like male philanderers, female philanderers put their victims through all of this just to give themselves a sense of gender power.
Spider Woman
There are women who, by nature romantics, don't quite want to escape their own life and die for love. Instead they'd rather have some guy wreck his life for them. These women have been so recently betrayed by unfaithful men that the wound is still raw and they are out for revenge. A woman who angrily pursues married men is a "spider woman"—she requires human sacrifice to restore her sense of power.
When she is sucking the blood from other people's marriages, she feels some relief from the pain of having her own marriage betrayed. She simply requires that a man love her enough to sacrifice his life for her. She may be particularly attracted to happy marriages, clearly envious of the woman whose husband is faithful and loving to her. Sometimes it isn't clear whether she wants to replace the happy wife or just make her miserable.
The women who are least squeamish and most likely to wreak havoc on other people's marriages are victims of some sort of abuse, so angry that they don't feel bound by the usual rules or obligations, so desperate that they cling to any source of security, and so miserable that they don't bother to think a bit of the end of it.
Josephine Hart's novel Damage, and the Louis Malle film version of it, describe such a woman. She seduces her fiancee's depressed father, and after the fiancee discovers the affair and kills himself, she waltzes off from the wreckage of all the lives. She explains that her father disappeared long ago, her mother had been married four or five times, and her brother committed suicide when she left his bed and began to date other boys. She describes herself as damaged, and says: "Damaged people are dangerous. They know they can survive."
Bette was a spider woman. She came to see me only once, with her married affair partner Alvin, a man I had been seeing with his wife Agnes. But I kept up with her through the many people whose lives she touched. Bette's father had run off and left her and her mother when she was just a child, and her stepfather had exposed himself to her. Most recently Bette's manic husband Burt had run off with a stripper, Claudia, and had briefly married her before he crashed and went into a psychiatric hospital.
While Burt was with Claudia, the enraged Bette promptly latched on to Alvin, a laid-back philanderer who had been married to Agnes for decades and had been screwing around casually most of that time. Bette was determined that Alvin was going to divorce Agnes and marry her, desert his children, and raise her now-fatherless kids. The normally cheerful Alvin, who had done a good job for a lifetime of pleasing every woman he met and avoiding getting trapped by any of them, couldn't seem to escape Bette, but he certainly had no desire to leave Agnes. He grew increasingly depressed and suicidal. He felt better after he told the long-suffering Agnes, but he still couldn't move in any direction. Over the next couple of years, Bette and Alvin took turns threatening suicide, while Agnes tended her garden, raised her children, ran her business, and waited for the increasingly disoriented and pathetic Alvin to come to his senses.
Tags:
acts,
affair,
carelessness,
depression,
destructiveness,
divorces,
gender,
humiliation,
infidelity,
marriage,
men and women,
moment of romance,
norton,
private lies,
secret lives,
shreds,
turn of a screw
