Many young body modifiers maintain they're trying to connect
themselves to humanity's tribal history, now lost in American
civilization. "They see themselves as getting back to some kind of
essentialism," says Daniel Wojcik, Ph.D., an associate professor of
folklore at the University of Oregon and author of Punk and Neo-Tribal
Body Art (University Press of Mississippi, 1995). "They learn about
scarring practices in another culture, and then have themselves scarred
as a rite of passage." Some, as Romanienko suggests, are primarily
motivated by the shock value of their flashy scars. But many
neotribalists are more secretive about their body adornments, scarring
themselves for personal reasons, not political ones.
"The meanings are very diverse," Wojcik says. "It's dangerous, it's
sexy. For some it's an esthetic impulse. Others attribute some
transcendent significance to the act, and find some kind of altered state
of consciousness that's probably related to the pain involved and the
endorphin rush that follows it. It certainly seems to be profoundly
meaningful for them." For his book, Wojcik interviewed one unemployed
Seattle youth named Perry Farrell, who later went on to fame in the rock
bands Jane's Addiction and Porno for Pyros. Farrell's scars and piercings
were inspired by photographs he saw in National Geographic. For Farrell,
the scars were part of a self-made coming-of-age rite. "He told me, 'I
need to become a man,'" Wojcik says. "He told me how painful it was, and
how he felt transformed afterward."
The trouble is, it's hard to tell where fashionable body
modification ends and pathological self-mutilation begins, especially
when an individual turns to intentional wounding to mark an emotionally
charged life event. "If you've suffered some kind of abuse, this is a way
to acknowledge that in some kind of physical way," Wojcik observes. "Then
it becomes a ritual, meaningful event. You're responding to a spiritual
crisis, and you fortify yourself through these ancient forms of body
modification." However, one person's ritual cleansing is another person's
Post-Traumatic Stress Disorder.
To Favazza, the distinction is the scar's meaning to its owner--its
story. "I define self-mutilation as something that derives from
individual psychopathology, the product of loss of control," he says.
"You can make a case that when you're symbolically reenacting what was
done to you, you're controlling it."
Living with Scars
For the millions of Americans with scars left by accident or
surgery, it might seem there's no debate about their meaning or
symbolism--only the problem of trying to adjust to a highly visible,
permanent and often disfiguring mark. However, Rumsey has found that even
with unintended scars, their context plays a critical part in the
emotional response of both bearer and viewer. "People who have a story
find it much easier to cope," Rumsey says. "We often hear about people
who get injured in war, or while saving somebody They do really well, and
come out confident enough to deal with it, if it's a story they can
happily tell that people want to know."
In fact, Rumsey's research indicates that psychological factors are
the best predictors of a patient's response to a new scar. "You can't
predict the effect of scarring from the size or type of disfigurement,"
she declares. "Some people get very upset about very minor marks."
Instead, patients' future adjustment depends partly on their previous
attitudes about physical appearance. "Prior experience and expectation
tends to play a part," Rumsey says.
Some patients' attitudes are deeply affected by media depictions of
people with scars. "In movies, the ones who have scars tend to be the
baddies," Rumsey notes. That's a particularly important issue for
children, who tend to be more vulnerable to such messages. Gender also
plays a role; a poll by Rejuveness, marketer of alternative scar
remedies, found that 65% of women said they were self-conscious about
their scars, compared with 35% of men.
But the key factors seem to be the person's self-esteem and social
skills, Rumsey believes. In her research, she's found that when people
with scars are friendly, relaxed and outgoing, they can overcome
strangers' initial recoil.
Rumsey began her studies by looking at the impact of scars on basic
social interactions. At a first encounter, she says, "I found that people
stand about a foot farther away if you've got a disfigurement." That
simple fact alone has an enormous impact on any social interaction, she
says. "If you take a good step backward, it changes the feeling between
the two people, so it's less personal and more distant."
She also found that visible scars had an enormous impact on others'
basic helping behaviors. In one study, she and her colleagues posed as
market researchers, asking consumers to fill out a questionnaire. Not
surprisingly, they found consumers were initially most likely to
cooperate with attractive researchers. When the researchers wore
artificial scars, they found that significantly fewer people approached
them--but those who did offered more help than those who approached
unmarked people. "We found that if you could get over that initial
approach, people would compensate quite strongly for it."
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