Teletherapy is a new method of psychological healing based on the
carefulanalysis of prescribed television viewing. Its name--a fusion of
the words television and therapy--describes exactly what it does. The
word television comes from the Greek tele, which means "distant" or "far
off," and the Latin visio, meaning "to see." So television means seeing
something from a distance. Thus the term teletherapy means to be healed
from far away. This new form of treatment merges the high art of
psychoanalytic therapy with the murky bottom of America's popular trash
culture.
THE GILLIGAN WITHIN
No theory of psychological healing is valid if it fails to address
anger, perhaps the most fundamental of all human struggles. Anger is the
cause of untold misery and failure. It has baffled the greatest minds in
history. Freud himself admitted that trying to adequately define the
concept of anger was a task that often enraged him. My own father said to
me when I was 10 years old, "don't be angry . . . ever." Moving in its
simplicity, these words served as a guiding force as I entered the field
of mental health and sought to unravel the mystery of this most
disquieting human emotion. After years of intense study, much of which
enraged me as well, imagine my euphoria when it suddenly struck me that
television was the answer!
I will never forget that night in the lab. Working with some rats,
I'd conditioned one named Bradley to be clumsy and physically inept. Each
time I placed him in a cage with the other rats, he'd inadvertently spill
water, trip another rat, or otherwise make life difficult for another
member of the rat pack. But each time, the injured rat, knowing that
Bradley's actions were unintentional, did nothing to retaliate. Why, I
wondered. What was the key?
Distractedly, I turned on the television. A commercial ended and an
episode of Gilligan's Island resumed. The professor had just pieced
together yet another makeshift radio that was receiving transmissions. I
laughed because I knew what was coming. Sure enough, Gilligan
unintentionally destroyed the radio, and the other castaways did nothing.
I mumbled out loud, "Why, the professor would probably like to kill him!"
At that exact moment, I heard a disturbance coming from the direction of
the rats, Bradley had just spilled water on one of his cage mates. As
usual, the soaked rat didn't attack but simply screeched at him, just as
the professor didn't attack Gilligan.
In a flash it all became clear. Gilligan's Island is about the
repressed rage we feel toward those inept self-defeating fools around us.
We all encounter Gilligans who trip us up in life. We, too, hold down our
anger, allowing it to tear at us inside. I realized that we all have both
a Gilligan and a Skipper within us. The Gilligan Within is that part of
Us that gets in other people's way Have you ever been late to pick
someone up and thus caused a problem for them? Of course you have; we're
all guilty of these little blunders. Whenever you make a mistake that
impedes another person or that causes someone to lose an opportunity,
your Inner Gilligan has risen. Like Gilligan, who never consciously set
out to destroy the lives of six other people, we've all been the cause of
another's missed opportunities. All of the castaways, but in particular
the Skipper, must repress their impulse to retaliate against Gilligan.
Whenever you're struggling with feelings of retaliation against someone
whose Inner Gilligan has interrupted your life, it's your Inner Skipper
that's rising.
Because of analyses like these, teletherapists are constantly being
asked what other classic television programs have been psychologically
misunderstood. Here are some of the other shows that, rerun after rerun,
are repeatedly misinterpreted.
THE DICK VAN DYKE SHOW
This show demonstrates a series of personality splits that we all
can relate to at an unconscious level. Tolerating ambivalence, the
mixture of good and bad feelings, is a later developmental skill. It's a
maturational ability that some never completely master. The personalities
on The Dick Van Dyke Show play off these split personality types. For
instance, Alan Brady and Mel Cooley are the two sides of paternal
authority Alan is irascible and aggressive; frightening as an authority
figure. Mel is weak, ineffective, and comical as an authority figure.
This is how children view their fathers, alternating between weak and
powerful. Sally and Laura are the two sides of woman/mother. Laura is
weak and dependent and sexually receptive; Sally is strong and
independent, a caretaker who is sexually aggressive. Buddy is the other
side of Rob. Rob is superego-driven, warm, and connecting; Buddy is
self-absorbed, driven, and aggressive. Rob fantasizes about being like
Buddy; Buddy in his alone times desires to be like Rob.
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