In an apocryphal story, a colleague once turned to the great British geneticist J.B.S. Haldane, and said, "Tell me, Mr. Haldane, knowing what you do about nature, what can you tell me about God?" Haldane replied, "He has an inordinate fondness for beetles." Indeed, the world contains over 300,000 species of beetles. I would add that "God" loves the human mating game, for no other aspect of our behavior is so complex, so subtle, or so pervasive. And although these sexual strategies differ from one individual to the next, the essential choreography of human courtship, love, and marriage has myriad designs that seem etched into the human psyche, the product of time, selection, and evolution. They begin the moment men and women get within courting range—with the way we flirt.
In describing these strategies, I make no effort to be "politically correct." Nature designed men and women to work together. But I cannot pretend that they are alike. They are not. And I have given evolutionary and biological explanations for their differences where I find them appropriate.
Flirting
Women from places as different as the jungles of Amazonia, the salons of Paris, and the highlands of New Guinea apparently flirt with the same sequence of expressions.
First the woman smiles at her admirer and lifts her eyebrows in a swift, jerky motion as she opens her eyes wide to gaze at him. Then she drops her eyelids, tilts her head down and to the side, and looks away. Frequently she also covers her face with her hands, giggling nervously as she retreats behind her palms. This sequential flirting gesture is so distinctive that [German ethologist Irenaus] Eibl-Eibesfeldt was convinced it is innate, a human female courtship ploy that evolved eons ago to signal sexual interest.
Men also employ courting tactics similar to those seen in other species. Have you ever walked into the boss's office and seen him leaning back in his chair, hands clasped behind his head, elbows high, and chest thrust out? Perhaps he has come from behind his desk, walked up to you, smiled, arched his back, and thrust his upper body in your direction? If so, watch out. He may be subconsciously announcing his dominance over you. If you are a woman, he may be courting you instead.
The "chest thrust" is part of a basic postural message used across the animal kingdom—"standing tall." Dominant creatures puff up. Codfish bulge their heads and thrust our their pelvic fins. Snakes, frogs, and toads inflate their bodies. Antelope and chameleons turn broadside to emphasize their bulk. Mule deer look askance to show their antlers. Cats bristle. Pigeons swell. Lobsters raise themselves onto the tips of their walking legs and extend their open claws. Gorillas pound their chests. Men just thrust out their chests.
"Copulatory" Gaze
The gaze is probably the most striking human courting ploy. Eye language. In Western cultures, where eye contact between the sexes is permitted, men and women often stare intently at potential mates for about two to three seconds during which their pupils may dilate—a sign of extreme interest. Then the starer drops his or her eyelids and looks away.
No wonder the custom of the veil has been adopted in so many cultures. Eye contact seems to have an immediate effect. The gaze triggers a primitive part of the human brain, calling forth one of two basic emotions—approach or retreat. You cannot ignore the eyes of another fixed on you; you must respond. You may smile and start conversation. You may look away and edge toward the door. But first you will probably tug at an earlobe, adjust your sweater, yawn, fidget with your eyeglasses, or perform some other meaningless movement—a "displacement gesture"—to alleviate anxiety while you make up your mind how to acknowledge this invitation, whether to flee the premises or stay and play the courting game.
Baboon Love
Baboons gaze at each other during courtship too. These animals may have branched off of our human evolutionary tree more than 19 million years ago, yet this similarity in wooing persists. As anthropologist Barbara Smuts had said of a budding baboon courtship on the Eburru cliffs of Kenya, "It looked like watching two novices in a singles bar."
The affair began one evening when a female baboon, Thalia, turned and caught a young male, Alex staring at her. They were about 15 feet apart. He glanced away immediately. So she stared at him—until he turned to look at her. Then she intently fiddled with her toes. On it went. Each time she stared at him, he looked away; each time he stared at her, she groomed her feet. Finally Alex caught Thalia gazing at him—the "return gaze."
Immediately he flattened his ears against his head, narrowed his eyelids, and began to smack his lips, the height of friendliness in baboon society. Thalia froze. Then, for a long moment, she looked him in the eye. Only after this extended eye contact had occurred did Alex approach her, at which point Thalia began to groom him—the beginning of a friendship and sexual liaison that was still going strong six years later, when Smuts returned to Kenya to study baboon friendships.
At The Bar
Could these courting cues be part of a larger human mating dance?
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