As my Aunt Ruth told it, she was walking home from the movie
theater, lost in conversation with her friend Millie, when the guy nearly
bowled her over.
"Actually," she said, "I figured it was probably my own fault. You
know what a big talker Millie is." (In fact, as a former New Rochelle
neighbor of Carl Reiner, she inspired the Petries' gabby friend of the
same name on the old 1960s Dick Van Dyke Show.) "And neither of us had
been paying much attention to where we were going. I ended up apologizing
to him."
It was only when she got home that Ruth realized her wallet was
gone.
Even now, a day later, she remained shaken and depressed. Which, in
turn, shook me. Ruth is the kind of person every family should be lucky
enough to have, a dogged optimist with inexhaustible style and sass. At
sixty-something, a widow with an enthusiasm for Mozart and Matisse, she
had watched many of the rules of decency and decorum with which her
generation came of age fall to the grasping tumult of contemporary fife.
Yet never had I seen her good humor falter.
Indeed, the one time she'd been robbed previously, a pickpocket
somehow lifting her bank cards from her purse in a New York City
supermarket, she had turned the incident into a hilarious dinner-table
tale of criminal ineptitude. It seems the guy called later that night,
identifying himself as "Lieutenant Vincent" of the N.Y.P.D. "We've
recovered the wallet," he told her, "and have the perpetrators in hand.
Now, m'am, if you'll just give us your bank-card code for purposes of
verification."
Ruth loved it. "He was trying so awfully hard, he actually
pronounced it 'poipetrators', I just had to play along. That sounded fine
to me, I said, but perhaps I might speak to one of his superiors." There
was a 30-second pause, then the same guy came back on the line,
introducing himself as "Captain Kelly." This went on all the way up the
chain of command, until Ruth finally sent him off into the night--with a
phony bank code.
In brief, her attitude had always been that even the uglier aspects
of modern urban life were no more menacing than one made them.
But this time was different. Ruth had lately been ill and was now
uneasily awaiting the result of an upper G.I. series. The L.A. riots,
just the week before, had put everyone even more than normally on edge.
The wallet had been precious, a birthday gift from her daughter. Its loss
was evidently a kind of last straw. "Maybe," she put it to me wearily,
"people are right."
Right, that is, about the character of existence. As the T-shirts
have it: "Life is hard, and then you die." Pessimism is the emotional
fashion of the day. To turn on the TV is to be assaulted by a world
spinning out of control. Potential calamity seems to lurk at every
turn--not just from strangers in the street, but via global warming and
the deficit and rampant homelessness. Every family looks to be
dysfunctional. Alcoholism is at epidemic proportions. So is child abuse.
To find anything even resembling careless joy, one has to search for
scratchy black and white movies from the 1930s.
On some level we're aware of this about ourselves, sometimes even
smile about it. Woody Allen didn't get to be known as a minor genius for
nothing. "Bummer" reads the title of the magazine featured in a cartoon
by the New Yorker's gifted Roz Chast, over a picture of an incredibly
anxiety-ridden guy. The cover lines: "Why Your House is Practically
Worthless In Today's Market"; "Ninety-eight percent of Spouses Are
Unfaithful"; "What Your 'Friends' Say About You Behind Your Back"; "How
Frankfurters Are Made."
But in a deeper sense, we almost never assess the consequences of
such an attitude. Indeed, the prevailing ethic endows it with a certain
nobility. We are, after all, merely facing facts. Can there be any doubt
that the ills of our time are profoundly disheartening? Doesn't having a
conscience mean, at least in part, identifying with the suffering of
others? Objectively speaking, has there ever been a time when desperation
was so much the norm?
Actually, the answers are no, yes, and ... what are we,
crazy?!
For, of course, the quite obvious fact is that in vital ways these
are also the very best of times. No less an authority on calamity than
Mikhail Gorbachev pronounces himself utterly baffled by the American
state of mind; he writes wonderingly that earlier this year, while
touring the United States, he repeatedly found himself in the bizarre
position of having to defend America to Americans. Coming from a society
with no food on the shelves and no prospects for the future, things sure
as hell looked okay to him. Why do we seem to insist on finding even in
good news--even the end of the Cold War--a somber lining?
That, finally, is the question most worthy of consideration. What's
happened to us? To our sense of perspective? To our capacity for optimism
and simple joy? Why, in the privacy of our own lives, even when things
are going well, is there so often something subtly, unmistakably
wrong?
Indeed, over the next few days, it was hard not to note in my own
small circle Aunt Ruth's story being transformed from a personal
misfortune to yet another bit of evidence in support of the general world
view. Whenever it came up, the conversation instantly turned indignant.
Jesus, ran the reaction, what's happening to this country?! And,
invariably, a raft of similar stories would follow.
Tags:
attitude,
aunt ruth,
bank cards,
captain kelly,
carl reiner,
culture,
decency,
decorum,
dick van dyke,
dick van dyke show,
friend millie,
good humor,
ineptitude,
matisse,
movie theater,
optimism,
optimist,
perpetrators,
pessimism,
pickpocket,
society,
tumult,
van dyke show,
walking home